Vitality, assurance, musicality : with what
she has, Miss Carbonel will go far ». This was the reaction
of The New-York Times critic Peter Davis, after hearing the
pianist play the formidable Liszt “ Totentanz “ at Carnegie
Hall.
Sylvie Carbonel, studied at the Paris National Conservatory
with the renowned pianist and pedagogue Pierre Sancan. She was awarded
the First Prize with honors in piano, musical analysis and chamber music.
She is a laureate of the George Enesco International Competition in Bucharest
and winner of the International Messiaen Prize.
When she was awarded the New York’s prestigious Harkness Fellowship,
she went on to live five years in the United States where, continuing
her career as a concert pianist, she graduated both from the Julliard
School (Jeaneane Dowrs) and from Bloomington (I.U) where she worked with
Gyorgy Sebök and was awarded the Artis Diploma. she has also been a close friend and disciple of Radu Lupu in New-York, London and Paris.
Sylvie Carbonel has performed in most of the world’s musical capitals:
Paris, New York, Chicago, Washington, Brussels, Hamburg, Munich, Amsterdam,
Rome (Villa Medicis 2009), Mexico City, Singapore, Hong Kong, TaƮwan...
She has played with such distinguished orchestras as the Baltimore
Symphony, the American Symphony, the Aspen Festival Orchestra, other
American orchestras, the Radio Philharmonic Orkest of Holland, Scandinavian
and Latvian orchestras, the Philharmonic Orchestra of Radio France, and
the National Orchestras of Toulouse, Lyon, Montpellier, the Camerata
of Lausanne, the Camerata
of France... under the direction of Lorin Maazel, Ernest Bour, Sergiu
Comissiona, Jorge Mester, Isaïah
Jackson, Michel Plasson, Serge Baudo, Daniel Tosi...
She has been on the piano Faculty of the Paris National Conservatory.
She gives master-classes in France and in the United-States. Sylvie
Carbonel frequently serves as a member of a Jury, to judge Piano competitions
in France and internationally.
Her musical curiosity has also
led Sylvie Carbonel to play the repertory of our time, and she has played
the works of Bartok, Schönberg,
Messiaen, Mossolov (the First Concerto with the Philharmonic Orchestra
of Radio France) among others.
Sylvie Carbonel played at the Châtelet, Théâtre des Champs-Elysées and Salle Gaveau in Paris,
and made an eleven concert tour in North
America (Miami, New Orleans, Minneapolis, Denver, Tulsa, Vancouver, San Francisco, Los
Angeles, Salt Lake City, Washington D.C., Seattle) . She has also been
featured on a Musical Cruise devoted to “Mozart and
his time” (Italy, Malta, Lybia, Tunisia).
In 2003, she has created the festival “ Moments Musicaux de Chalosse ” in South West France , of which she has been the Artistic Director from 2003 to 2016. Since 2017, she is the Artistic Director of the Festival “ Musique Vivante dans les Landes ”
She has recorded the complete piano works by Mussorgsky and made other recordings of Schumann, Mozart, Chabrier-Desbrière and Liszt.
In january 2024, she has just released a 10 CD set, gathering the ensemble of all her "live concerts" at Radio France, since several decades, plus her studio recordings, in piano solo, with orchestra and in chamber music. All together, can be heard 3 centuries of music, from Bach and Mozart, passing through all the romantic music (Schumann,Chopin, Brahms...) until the 20th century music with Prokofiev, Messiaen and Louvier...
These recordings have already received high praise from the critics in France, other European countries, America and Asia.
Sylvie Carbonel has been a guest artist at numerous musical festivals
including Aspen (U.S.A.), Menton, Festival of Ravello (Italy), Santander, the Mostly Mozart Festival
of New York among others. With friends such as Pierre Amoyal, Gérard
Caussé, Patrick Gallois, Gary Hoffmann, Michel Portal, Saskia
Lethiec, Frédéric Lodéon, Guy Comentale, Patrice
Fontanarosa, Michel Lethiec, Olivier Charlier, Svetlin Roussev and others, she shares
the joys of playing chamber music; and she also performs literary and musical shows with the actors Anny Duperey, Daniel Mesguich, Pierre Hentz.
|
Press Reviews :
These "Pictures" reveal a strong personnality,
a fertile imagination, and a contagious enthusiasm
CD Moussorgsky,
Jean Gallois, Les Petites Affiches
When Sylvie Carbonel reached her best playing a group of Debussy's Preludes, the performance became one to remember...
J. McLellan, The Washington Post
... the intensity and sensitivity of the extraordinart
French pianist, Sylvie Carbonel
The Los Angeles Times
A musical charisma and an extraordinary maturity. Listening
to a talent like this in a great concert hall enriches one's musical
life.
Allgemeine Zeitung
These Ten Picturesque Pieces combine great refinement...
with roguish rusticity. Sylvie Carbonel understands the spirit of Chabrier.
She manages to create a universe filled with poetry and nostalgia.
CD Chabrier,
Alain Steghens, Le Monde de la Musique
She is an explorer of the unknown with a vivid personality...
Mozart has a completely natural sound... A simple yet luminous recording.
CD Mozart,
Etienne Moreau, Diapason
This is one of the outstanding Schumann piano discs
in recent years... Her healthy, extroverted sweep and meaningful shadings
of line, give an exceptional level of conviction to the performance
CD Schumann,
Manildi, American record guide
The strength ans richness of this impassioned playing
come straight from the heart; she has the temerity to bring out the
contrasts in the music. these qualities are too rare to be missed.
CD Schumann,
Alain Cochard, Diapason, France
In Sylvie Carbonel, we discover a sensitive and fascinating
pianist and musician. Every piece is a delight. Il recommend this recording
highly.
CD Moussorgsky,
James H. North, Fanfare, U.S.A
A magician at the keyboard of fascinating intensity
: what a range of abilities, from Mozart to Messiaen !
Svenska Dagbläder
Artistic ecstasy : Sylvie Carbonel is a fascinating
figure in contemporary music. The breath-taking nuances in her feel
and her personal approach to the interpretation of Schönberg,
instantly create the most sensational emotions.
Jacques Longchampt, le Monde
Her powerful playing, impressive energy, pure style,
both restrained and passionate, are fascinating to hear.
Die Welt
Energy and bravura technique to spare, articulating
cascades of parrallel octaves and intricate passagework with formidable
clarity, precision and tonal glitter, as a devislishly clever virtuoso.
She is amongst the world's most prodigious pianists.
Peter Davis, The New York Times
|